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Activities by Grade Level
Middle School
What Isn't Here
You Are What You Wear
Map It
Creating a Portrait
Interdisciplinary Extensions
Connections to the Collection
What Isnt Here
Visual Arts: Standard
2, Identify and apply the elements of visual art and principles
of design.
Choose several portraits
from the lesson for students to look at and determine
what important elements are missing that would help you to know more about
the sitter?
You Are What You Wear
New Hampshire History Topic: Self-Expression
Visual Arts: Standard 6, Students will make connections
among the visual arts, other disciplines and daily life.
Researchers and experts on period costumes
and clothing spend many hours attributing clothing to a specific
era or time period.
Often these researchers help to identify the date in which a certain
painting or other work of art was completed. Portrait artist John
Singleton Copley even kept a supply of outfits in his studio for
his sitters to wear, as clothes were an important element in his
works. In the Chase portrait the little boys dress can be the
basis of a discussion about changing styles of clothing. Have your
students discuss the importance of their clothing and
what their clothing reveals about them. Do their clothes have designer
labels? What are designer labels and what do they mean? Where are
their clothes made? Have them look in their closets at home to
reveal different facts about the clothing they own. What outfit(s)
would
they choose to wear if they were having a formal portrait painted?
Why? Would your Mom or Dad choose the same outfit you chose for
you to wear in your portrait?
Also
see: John Singleton Copley, Mrs.
John Greene, Cleveland Museum
of Art, 1769
Map It
New Hampshire History Topic: Boundaries
With maps of New York and New England, have your students trace the journeys
of itinerant Painter Ammi Phillips as he made his way throughout New England
painting portraits. Remember, Phillips was born in 1788 in Connecticut and
traveled extensively throughout western Connecticut and Massachusetts and along
the Hudson River in New York State. We know that he painted his portraits of
the Sleights of Dutchess County, New York sometime in the early 1820s. He died
in 1865. Students can use the Internet or library to learn more facts about
the life of Ammi Phillips.
See: Ammi
Phillips, Hannah Bassett, 1830, Ammi
Phillips, Sherman Bassett, 1830
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Creating a Portrait
Grade 7/8
Aim/Instructional Objectives
Students will learn the process of creating a portrait.
See student examples >
Materials/Supplies Needed
- Computer with Internet
access.
- Digital camera/printer.
- Sketch pad & pencil.
- Handout Drawing the
Face.
- Assorted materials such as watercolors, craypas,
pastels, pen & ink,
colored pencils, markers, magazines, newspapers, assorted collage
materials.
- 3 sheets of 24 x 36" printmaking
or heavy weight paper.
Length (5) One hour class sessions
Procedure
- Students
will search the internet to harvest images of portraits created
by such artist as: Pablo Picasso, Andy Warhol (including repeat
images), Chuck Close, Vincent van Gogh, Rembrandt von Rijn, Leonardo
da Vinci, etc.
- Students
will download these images to create a personal gallery of portraits.
- Using a digital camera, students will take photographs
of themselves, which will be used as a guide for their portraits.
- Using
the sketchpad and pencil, students will practice drawing the
human face in profile, three quarter and frontal views.
- Students will
create thumbnail sketches for their final portraits based on
the digital photo of themselves.
- Using any of the media suggested on
the three sheets of 24 x 36" paper,
students will create three self-portraits in any style and media.
Students may refer to their personal gallery of portraits of artists work,
paying particular attention to Warhols repetitive images.
Each portrait should reflect an understanding of various styles,
artistic elements
and principles,
and an application of appropriate media.
- When completed, students
will critique their work and their fellow students
work in oral and written form.
Corresponding Standards
National Standards
- Content Standard 1: Understanding and applying media,
techniques, and processes.
- Content Standard 2: Using knowledge of structures
and functions.
- Content Standard 5: Reflecting upon and assessing
the characteristics and merits of their work and the work of
others.
New Hampshire Standards
- Standard 1: Apply appropriate media, techniques,
and processes.
- Standard 2: Identify and apply the elements
of visual art and principles of design.
- Standard 5: Analyze, interpret
and evaluate their own and others
artwork.
Assessment
- Did the completed work display creativity and originality?
- Did
the completed work display craftsmanship and technical skill?
- Did
the student make appropriate and creative use of materials?
- Did
the student display perseverance in completing the work?
- Did the
student participate in the critique of other students work?
- Did
the student display good work and clean-up habits?
New Vocabulary Words
Gallery a space where art work is displayed.
Harvest images the collection and downloading of images
from the Internet.
Thumbnail sketches a series of quick drawings
or studies for a work of art.
Self Portrait a portrait of oneself.
Media the material an artist uses, such as paint, pencil or
clay.
Repeat images utilizing the same image multiple
times.
Critique a critical review or commentary, especially one dealing
with works of art or literature.
Interdisciplinary Extensions
Language
Arts: Write a letter to the portrait asking and/or answering questions
such as:
- Why do you have that expression on your face?
- Who are you and where
do you come from?
- Does anyone in your family look like you?
- What are your
dreams and aspirations?
Connections to the Currier Museum
of Arts collection
- Pablo Picasso, Woman Seated in a Chair, 1941
- John Woodrow Wilson, Martin Luther King Jr., 2002
- Ammi Phillips, Sherman Bassett, 1830, Hannah Bassett, 1830
- Lorenzo Costa, Portrait of a Lady, c. 1490
- Sir Henry Raeburn, John Clerk of Eldin, c.1800
- Samuel Miller, Emily Moulton, 1852
- Gilbert Stuart, Dr. Walter Landor, c. 1785
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John Singleton Copley, John Greene, c.1769
View zoomable image >

William Merritt Chase, Portrait of Master Otis Barton and His Grandfather,
1903
View zoomable image >
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Picasso, Woman Seated in a Chair, 1941

John Woodrow Wilson, Martin Luther King, Jr., 2002
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